Posted 4 months ago
The Ominous Red Light
I finished up the second of two days recording vocals last night. Woof, I’m tired.
I have to say that in all things music, the thing I hate doing most is recording vocals. Don’t get me wrong, I love to sing, but recording singing is an entirely different beast than performing live or just practicing at home. In fact, it often sucks the life out of me for a short time.
First there is the problem of sheer exhaustion. Since a record lacks the visual stimulation of a live performance, the vocal needs to be better than normal. This requires doing multiple takes of each vocal section of a song. Add in the inevitable bad takes and you’re likely left completely worn out by the end of it. Worse, you can’t drink coffee during vocal recording days because the caffeine dries out your throat. I’m not very nice without coffee, people…
Second is the problem of over-thinking and over-analyzing. In order to achieve an above average vocal, I constantly find myself thinking through each note precisely as I’m singing it. Sure, you could tell me to just let it out, but it’s impossible to avoid the kind of self-scrutiny that an artist puts on themselves. I actually often find myself physically changing the way I sing certain kinds of notes to achieve a particular sound. This of course has benefits later for when you sing it live so I suppose it’s a process.
Third, you never know when you’re done. You can record all the takes in the world, but while you’re tracking, there is no way to determine what the final product will sound like so all you can do is record x number of takes and hope that you’ve got what you need to get the job done in post. It is more or less a leap of faith to walk away with what you’ve done and be happy about it because the alternative - doing retakes at a later time - is often unfeasible for a variety of reasons.
Finally, I remain terrified of the red light. I’ve alluded to this before in random twitter updates, but I’ll elaborate. “Red light syndrome” is the negative psychological effect on singers when the veritable red light for recording turns on. For whatever reason, I simply can’t sing as well when it’s being recorded. The difference between live and studio is that, live, you’re free-wheeling, going with the flow - performing; in the studio, it’s like singing handcuffed to a chair. Yes, I’m probably just being hard on myself, but that’s why it’s psychological; it affects your confidence.
In any event, now the recovery begins. My throat feels pretty raw this morning, but I will soldier on. I’m approaching post production on these songs, with all that’s left to track is a string arrangement.
